
IMAGES | FONTS | BLEED | SAFE
AREA IMAGES
Color | Format | Digital
Cameras | Web
Images
Resolution | Scanning | Calculating
Resolution | Proofing
/ Color Viewing
COLOR BASICS
To understand how colors relate to printing you need to
know the difference between projected and reflective color.
Projected Color
Scanners and digital cameras create images using combinations
of three colors: Red,Green
and Blue (called "RGB").These
are the colors that computers or TVs use to display images
on your screen.This is color produced by light shining
out or projected color.The problem is there is no way
to do "real ink on paper" printing from a file
that has colors created in RGB.They must be converted
to CMYK.You can convert your RGB images using an image-editing
program like PhotoShop or Corel PhotoPaint.
Reflective Color
When an image is printed on paper a color is produced
by light hitting the paper and reflecting that color (spectrum).
In the printing industry to produce all the colors in
the rainbow four colors are used:Cyan
(blue),Magenta (red),Yellow
and Black (K) (called "CMYK").You
must start with a CMYK image or convert your RGB image
to CMYK in order to produce a printed product.You
can convert your RGB images using an image-editing program
like PhotoShop or Corel PhotoPaint.
| RGB
Color Model
Additive color model
For computer displays
Uses light to display color
Colors result from transmitted light
Red+Green+Blue=White
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CMYK
Color Model
Subtractive color model
For printed material
Uses ink to display color
Colors result from reflected light
Cyan+Magenta+Yellow=Black |
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RGB to CMYK Color Conversion
– Files that have been created in RGB will need
to be converted to CMYK because it is not possible to
do real ink on paper printing from an RGB image. Files
that were created in RGB and converted to CMYK will
have a color shift.
On some designs it is not very noticeable on others
the shift will stand out. During a color conversion
all colors go from being built from 3 colors to being
built from 4 colors.The colors are also changed from
projected light to reflective light. Notice on the RGB
color chart above that when all 3 colors come together
the color white is produced.When all colors come together
on the CMYK color chart the color black is produced.We
prefer that our customers convert their RGB images to
CMYK, therefore they have control
over the final outcome.We will convert files for a nominal
charge.
Black Builds: Use caution when you
have a solid area that is Black. Four-color process
(CMYK) should be used to create a deep, dark, black,
however if the total percentage of all four colors is
greater than 340% your document will not print properly.
Ink will saturate the stock and you will not be pleased
with the final product. The only exception to
this rule is text, please see the Black Text / Font
section.We have developed settings that we
know work well on our presses. Please use these settings
when designing your document.
The optimum settings for Black
are:
100% Black
50% Cyan
20% Magenta
20% Yellow
If your black builds exceed 340% we will correct it
for you for a nominal charge.
BLACK TEXT / FONTS:When
creating black type please give it the following CMYK
break down;
100% Black
0% Cyan
0% Magenta
0% Yellow
RESOLUTION >>back
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All images used for printing should be a minimum
of 300 DPI at the size
used for layout.
PPI vs DPI
The first important point to understand about resolution
is the difference between PPI
(pixels per inch) and DPI
(dots per inch). Many software programs and scanner
interfaces use these two terms interchangeably but that's
not exactly accurate.As a general rule, the term PPI
should be used when referring to image resolution, and
the term DPI should be used when referring to printing
resolution. How can you remember this? Monitors display
pixels, and printers produce dots
Printed images are composed of dots. Image resolution
is simply the number of dots in a 1-inch grid.
The DPI of an image is determined when the image is
captured. Let’s say you scan an image at 200 DPI
into PhotoShop. Once in Photoshop you increase it to
300 DPI.The image will print as if it were a 200 DPI
image.All you have done is used 300 dots per inch to
produce a 200 dots per inch image.You will need to recapture
your image at 300 DPI or scale it accordingly.
FORMAT >>back
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Scanned images should be saved in a TIFF (.tif) or EPS
(.eps) format to ensure the best color and sharpness
possible. File formats such as GIF or JPG compress the
picture and can cause it to look blurry and off-color
when printed.
SCANNING >>back
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When scanning images to be printed you should follow
a few simple rules. Scan your image at the final size
you will need for your page layout. Scan your image
at a minimum of 300 DPI, 400 DPI if your image has text.
DIGITAL CAMERAS >>back
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Images from digital cameras are acceptable, as long
as the pixel resolution is adequate. For example, if
your camera has a typical image of 1280 x 960 pixels
at 72 DPI, you get about 17” x 13” of photograph
at 72 DPI.This is comparable to a 4” x 3”
–300 DPI image. 4” x 3” would be the
maximum size that the image could appear in your printing
layout.
CALCULATE THE
RESOLUTION OF YOUR DIGITAL IMAGE
and the maximum size you can go to retain a 300 DPI
resolution as follows:
• Determine the pixel dimensions
from your digital camera
• Divide those numbers by 300
(divide by 400 if the image contains text).
For example,an image without any text has a pixel dimension
of 900 x 1200.When divided by 300,the maximum size of
the image in your layout comes out to 3” x 4.”
If you make the image any larger, it will not look sharp.
WEB IMAGES >>back
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You may be tempted to use a photo that you have lifted
off of a favorite web site in your printing layout.Website
images have a low resolution (72 DPI) and look terrible
when printed on an offset press.Also,web images are
in GIF or JPG format, so these images are sure to look
disappointing in your final product. Check to make sure
all images are at least 300 DPI and are legally available
for use.
PROOFING /
COLOR VIEWING >>back
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What you see is NOT what you get! Computer monitors
display in RGB (Red,Green, Blue), while printed materials
use process colors - CMYK (Cyan, Magenta,Yellow, Black).This
means that your final printed product will look sharp
and crisp, but the colors will look slightly DIFFERENT
from those you see on your monitor. If matching colors
is absolutely critical, be sure to order a hard copy
proof. It is important to convert all your images to
CMYK prior to submission.
FONTS >>back
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Using
Font Families | Printer
Font Substitution
Screen
Font Substitution | Word
Wrapping
USE FONT FAMILIES
– NOT
THE STYLE BAR – TO ENHANCE YOUR TYPE
To avoid having your type “reflow” during
processing, it is very important that you do not add
any style (bold, italic) to the fonts from the “type
styles” option in either Mac or Windows. Use fonts
from the original font family (i.e. Helvetica Bold or
Helvetica Italic)
SCREEN FONT
SUBSTITUTION >>back
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Screen font substitution occurs when a font such as
"Venice" is available on the printer, but
is not installed on your computer.Windows will allow
you to choose this font, but will display another font,
such as "Times", on the computer screen.The
printer device will still print the correct font.The
result is a discrepency between what you see on the
screen and what is printed.You can often tell which
fonts are installed on your computer by opening the
Fonts control panel and viewing the list of fonts. Most
Windows programs will also display a "TT"
icon next to installed fonts, and a printer icon
next to fonts installed on the printer device but not
installed on your computer. To avoid screen font substitution
issues use only fonts available on your computer.While
not always possible, this solution works best. If you
choose fonts that are not installed on your computer,
the printed version of these fonts may look different
than what you see on screen.
PRINTER FONT
SUBSTITUTION >>back
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Printer font substitution occurs when you specify a
font that is not installed on your computer, or on your
printer device.This can happen if you switch printer
drivers after composing a document for the first printer.
For instance, if the "Venice" font is installed
on the first printer, but not on your computer, the
first printer could still print out the correct font.
If you then switch printer drivers to a one that does
not have "Venice" installed, the second printer
will substitute another font in place of the missing
font. In this case,Windows will substitute a font on
your screen and when printing. If you are lucky, the
same font will be substituted in both cases, but there
is no guarantee that this will be the case. To avoid
printer font substitution issues, choose our printer
driver as your printer driver when you first create
the document.This will prevent changes from occurring
when you switch from your local printer device to our
printer driver.While this solution works for new documents,
it does not work if you have already built the document
using another printer driver. If you switch printer
drivers after building your document, please make sure
your font choices are still valid for the new printer
device.
WORD
WRAPPING >>back
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Word wrapping occurs when the flow of text changes when
you switch printer drivers.This change could be as small
as a single word at the end of one line wrapping to
the beginning of the next line, or as large as reflowing
your entire document.When you switch printer drivers,
the document is automatically reformatted to meet the
requirements of the new printer. Several factors can
cause word wrapping changes, including different margin
requirements, font substitution, and printer resolution.
BLEEDS >>back
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If
your document contains images or colors that extend
to the edge of the page,it is considered a document
with bleeds.
To understand bleeds you need to know a little about
the printing process. When paper moves through a press
it shifts a little from side to side.The movement is
very slight and in most cases not noticeable. It does
start to become apparent when you are printing a document
that has a design element that prints all the way up
to the edge of the document.
Lets use a 2” x 3.5” business card with
a blue background for an example. If you are printing
your card at 2” x 3.5” and the paper shifts
1/64” of an inch to the right during printing,
then you will have 1/64” of white on the left.
If you card moves 1/64” to the bottom you will
have 1/64” of white on the top.
Over the years the printing industry has a trick to
compensate for the movement of the paper.The trick is
to extend your background color past the cut edge of
your document.When this is done you have enough color
so the white is cut off.This extra color that extends
past the cut edge of your document is what is known
as a bleed in the printing industry.
Example - Lets say you are printing the same 2”
x 3.5” business cards with a blue background,
however this time your card is set up at the size of
2.25” x 3.75”.You have extended your blue
color .125” past the edge of your business card.
Now when your card shifts 1/64” to the left
there is enough bleed on the right to cover the shift.
If your cards shifts 1/64” to the bottom then
there is enough color to cover the top.Once the printing
is done,we cut your 2.25” x 3.75” business
cards down to 2” x 3.5”.The end result is
you have a stack of 2” x 3.5” business cards
and no white spaces around the outside.
Please provide a 1/8” or .125” bleed on
documents that bleed.This .125” bleed will make
your file size .25” larger than the final size
of your document. Lets say you are printing an 8.5”
x 11” Product Sheet that bleeds. If you add .125”
bleed to the left and .125” bleed to the right
and then do the same top and bottom, the end result
is document that is 8.75” x 11.25”.
SAFE AREA >>back
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Please read the above
section about bleeds first.
When paper moves through a press it shifts a little
from side to side.The movement is very slight and in
most cases not noticeable. It does start to become apparent
when you have a design element that is too close to
the cut edge of your document.You also run the risk
of part of your design element being cut if it is to
close to the edge.
To help hide the fact that the paper has shifted and
to keep your design elements from getting cut we ask
that you keep all of your elements, that do not bleed,
a pre-determined distance away from the cut edge. The
pre-determined distance is what we call a safe area.
Please provide a safe area of .25” on most products.
On smaller projects like business cards a .125”
safe area will do.
Example – If you are printing a 2” x 3.5”
business card that does not bleed, you should contain
your design elements to 1.75” x 3.25”. This
will leave a blank space of .125” on all sides
of your business card.This will help hide the fact that
the paper shifted and will keep parts of your design
from being cut off.
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